dark am i, yet lovely, a lily among thorns, majestic as stars in procession

dark am i, yet lovely, a lily among thorns, majestic as stars in procession
WHY DESTROY YOURSELF? WHY DIE BEFORE YOUR TIME? THE KEEPERS OF THE HOUSE TREMBLE. DESIRE IS NO LONGER STIRRED. DO NOT CONFORM ANY LONGER TO THE PATTERN OF THIS WORLD.
Showing posts with label camera shots. Show all posts
Showing posts with label camera shots. Show all posts

Sunday, 26 June 2011

Alex Ardenti


I firmly believe that when I die and ascend to Heaven on the back of the monster from The NeverEnding Story, God will produce a tablet with a screen on (no, not an i-pad), and show me a condensed video of my life. If I’m right, then surely a video of this importance can only be made by Alex Ardenti.

I hope that you might understand what I mean even if bodybuilding doesn’t appeal to you in the slightest. The subject could be gymnastics, rowing, or dinner ladies doing the hokey cokey, and I would still hold these videos in the same high regard. For those who can relate, these are the weightlifting equivalent of Rocky videos. I’ve always said that quality footage needs very little else apart from skillful camera work and ace music.

You could point a camera in one spot, come back later, and I suppose you could call it a movie. Anything goes, I guess. But this is genuine footage, where the camera is busy, busy-busy-busy, zooming in and out fast like a bouncy ball, sliding to the side, slowing down, speeding up, jerking around, going into black and white, sharp focus, soft focus…I don’t know the lingo, but I know what I mean, and I know what I like.

There’s always something happening. Every single shot. Every transition. Effects, touches, sequences. With Alex, montage is king. You just know that painstaking hours of work have gone into embellishing less than 3 minutes of screen time. It’s all about the timing. And the music, of course. In both cases, for me, because it’s rare, and fitting, the music is exceptional, the icing on the cake. Videos like this deserve their own special music. They are too passionately created to simply slap someone else’s melodies over.

Absolutely outstanding. The benchmark for camera work. Take a bow, Alex Ardenti!


Wednesday, 18 August 2010

Favourite Shots



from top:

SALT (2010)
BEOWULF (2007)
CASSHERN (2004)

The cinematic experience, for me, apart from laughing and crying, is all about the camera work, but the most twisty-panning-zooming-darty shot of the movie may not be what impresses me the most in a film. The Matrix is known for starting off the trendy 360° stuff, but I don't necessarily mean all that overly-funky malarkey, milked to excess as slow-motion bullets leave trails through the air. There ought to be some emotional attachment to the content of the shot as well.

Not all movies even have favourite shots. It can be a task to find one. The shots usually happen at critical times of the movie, if they do. And the camera may not be doing anything. It's personal and subjective. It may be just that moment when your involvement in the experience peaks, the instant when you are realising that you are watching something that is affecting you on a spiritual level, and the on-screen image at that time is stained upon your retina as goosebumps course along the nape of your neck.

Or it may just be an innovative skilful camera move.

There's really no need to explain. A favourite shot is a favourite shot, and only you know why.

FACT: Quentin Tarantino would regularly watch 3 movies a day.